Ian Miles Cheong

Burn in Hell, Heat Street!

We created our own website to talk about how much we hate safe spaces.

Heat Street was not a good website. It was a very bad website, in fact, which you may be able to discern from its motto being “no safe spaces”. A failed experiment in creating a libertarian Huffington Post crafted by Louise Mensch, a former Tory who aimed for Arianna Huffington and instead briefly became a cult figure among the type of Twitter user who unironically follows Al Giordano.

Heat Street tried vainly to appeal to the young, Reddit-y conservatives of today by posting incessantly in favor of Gamergate, and defending noted racist frog meme Pepe (more on that later). But what did it in was, ironically, maybe the only decent thing the site ever did: Mensch’s opposition to Trump, which inspired backlash from such sources as Breitbart. But before you praise a conservative for doing the bare minimum possible to oppose Trump (ah, the McCain), know that Heat Street somehow fucked up attacking Donald Trump, basing their resistance on paranoid conspiracy theories about how Russians infected, not just the election, but every quadrant of society that doesn’t agree with them.

I’m sure this site is into GamerGate for pure motives & not as a vain grab for clicks.

Mensch’s ignominious farewell from the site she founded allowed for the ascent of Heat Street’s other luminary, Ian Miles Cheong, the saddest boy alive. Ian Miles Cheong used to be well-known as a woke, anti-GamerGate voice on Twitter. All that changed when a review of The Witcher 3 shook his ideals to the core by suggesting a game set in a fantasy world with dragons and magic might be able to accommodate a character who wasn’t white. Overnight, Cheong became a strident voice in favor of GamerGate and the alt-right, ready to defend Pepe’s innocence or retweet literal creationists if they attacked Bill Nye. Cheong was a brave maverick, who feared nothing except ants, seeing slightly less nudity in video games, and also everything.

Pictured: THE SADDEST BOY

Mensch’s era at Heat Street is known for causing the site to be at war with itself: one author would publish an article defending the racist meme frog, Mensch would leap in to counter them. One author would defend some creepy anime, Mensch would replace it with a piece about how it was creepy. This sounds like a bizarre, complicated way of going about the job of editor-in-chief, compared to the typical approach of just saying “hey, don’t publish that bad article you wrote”, but then again, I’m not the head of a failed libertarian off-shoot of Fox News. Luckily, under Cheong the site would flourish as a source that would drag up a few Tweets and use them to passionately defend video game breasts – truly journalism’s highest pursuit.

Heat Street was a directionless site that tried to appeal to the alt-right, and ended up appealing to no one. After alienating everyone, this failure of a site died on Friday, merged into Marketwatch. Mensch now runs her own blog to a dwindling audience, and Cheong’s pursuit of e-fame in an extraordinarily awful demographic looks like a road to nowhere.

Heat Street is in the Hell reserved for media outlets. As it arrived, it looked up into the shining sky, where on the clouds of Media Heaven, the sites we once loved frolic in peace. The Dissolve is up there, and Comics Alliance. You can almost hear the heavenly voice of The Toast regaling them with the tales of Narnia, as written by Ayn Rand, and with jokes about Sufjan Stevens song titles as described by medieval monks. Beneath is Media Purgatory, where Gawker sits under a banner reading “Yeah What Happened Was Fucked Up But So’s Leaking Sex Tapes”. Heat Street is not there. It is in Media Hell, unloved and unwanted, sitting for eternity as Grantland blathers about Boston sports and justifies outing trans people. It shall not be missed.

 

The Feminist Plot to Destroy Ghostbusters, The Biggest Film Trilogy of All Time

The most fascinating aspect of the hostile reaction to the idea of an all-female Ghostbusters remake is how it revealed what was, apparently, a gigantic Ghostbusters fandom. People crawled out of the darkest depths of Reddit to claim that Ghostbusters was their childhood, and that they remained devoted fans to a pair of comedy-horror movies from the 80s, one of which was great and one of which was a lesser retread with some good moments. When you look at major fandoms, you picture Star Trek conventions full of people in homemade Starfleet uniforms, and comic book fans clad as their favorite superheroes, and Tumblr discourse about Steven Universe and The 100. But until the Ghostbusters remake, you saw little evidence of the large, slumbering fandom that surely exists and didn’t just spring up when MRAs and alt-righters needed an excuse to attack the movie that sounded slightly less awful than “BUT IT HAS WOMEN IN IT”.

The TOP MINDS of r/conspiracy have figured out the truth – that no one saw the Ghostbusters remake. The number of Kate McKinnon avatars I’ve seen on Twitter imply some audience for the film, but no – some of the over 3,000 theaters it opened in were empty, so no one saw it at all.

GhostPost1

And yet Sony claimed a gross of 45 million dollars on opening day! How could that be, when two dozen people on Twitter paid to see it in empty theaters? You’ve lost Malaysia AND Middletown, Delaware! Twitter said so, so it must have made ZERO DOLLARS.

GhostPost2They ignored the huge, totally-real Ghostbusters fandom, and attacked men by casting women in a film. It’s detrimental to men. I’m not sure which men, given that the original Ghostbusters cameo in the new film and so aren’t exactly losing any work here. But women already have equality, except when it comes to pay, rights or representation in media and politics and also every other aspect of society, so what do they want? Superiority. First they’ll steal our 80s comedy remakes. Then they’ll take over stand-up comedy. And then…THE WORLD!

ghostpost3Women are crassening up stand-up comedy by talking about – *whispers*- s-e-x! Oh my!

ghostpost4A movie that treats men stereotypically and pushes all male characters to the side? GOSH, THAT MUST BE SO HARD TO DEAL WITH. Men now will have to settle for “most of the movies” this year, instead of “all of the movies”. So hard.

The refrain about how male characters are made to look like idiots on TV is a common one. Indeed, many shows feature dumb husbands and smart wives. Except…these shows are all written by men. Often the men playing the dumb husbands, if it’s based on their stand-up comedy. And in every one of these shows, we’re supposed to like the antics of the husband and look upon the wife as, at best, an unfunny moral center and at worst a controlling shrew. They’re a peculiar example of misandry in the media – though all of them are, because misandry don’t real.

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This incomprehensible rant, which conflates Pokémon Go with the Turkish coup, and that inexplicably calls the Nice attack the “twisted metal 3 murders”, leads to the best part of the entire thread – when people tear this guy fucking apart for saying Ghostbusters, “Jedis” and “Vulcans” are the top three franchises in entertainment history:

Ghostbusters

It’s truly inspiring to see people united by someone being wrong on the internet. If only they could all become pedantic nerds!

And for one beautiful moment, they stop being awful people and just start being awful people with very strong opinions on Ghostbusters 2:

ghostPost6Awful people who aren’t sure if Pokémon Go is a hit because it’s a plot by Them, or if it’s escapism from Them:

ghostpost7Elsewhere, they blame its high Rotten Tomatoes scores on the site being owned by NBCUniversal, a company that, notably, did not make the new Ghostbusters. Here we see a touch of self-awareness:

 

And, of course, they blame it all on aliens:

alienSo what did we learn today, children?

  1. Aliens made the new Ghostbusters so that they could take away Ghostbusting jobs from hardworking men and feed on our fear.

Glad we could clear that up!